• Dameon Priestly
  • Collections
  • Shop
  • Interviews
  • Talks
  • Articles
  • Contact
Menu

Dameon Priestly

Studio 3, Halpern Gallery
15a High Street, Rochester, Medway ME1 1PY
07989711965
Artist

Artist

Dameon Priestly

  • Dameon Priestly
  • Collections
  • Shop
  • Interviews
  • Talks
  • Articles
  • Contact
The Darling Letter, sold

Reel to Reel

This collection is about certain 'luminaries'. . . all swimming round and round in the same stagnant pool that was 60s London. The Krays, Mandy rice-Davis, Christine Keeler, Princess Margaret, etc.

Artist's note:
Point and shoot 35mm SLR cameras became more widely used in the late 50s early 60s by reporters. Their results captured the immediacy and speed of change of the time. Fleeting fame was captured at higher speeds afforded by those cameras. Consequently photography underpins the look of this collection.

We see black boarders as in a negative frame, we see high contrast in the black and white style of the subjects. There is colour bleed caused by accidents in developing and lens flare colour changes in seemingly random but abstracted ways.

The type writer fonts remind us that not everything was moving so fast and that various scandals were all and only to be found in the newspapers of the day. The capital letter fonts mimic those used in the headlines found luridly screaming from the news tabloids on newsstands.

The composition is meant to reflect the government’s attempts to retain a semblance of order in the face of upheaval and in the full view of the public witnessing an entertaining chaos.

Reel to Reel

This collection is about certain 'luminaries'. . . all swimming round and round in the same stagnant pool that was 60s London. The Krays, Mandy rice-Davis, Christine Keeler, Princess Margaret, etc.

Artist's note:
Point and shoot 35mm SLR cameras became more widely used in the late 50s early 60s by reporters. Their results captured the immediacy and speed of change of the time. Fleeting fame was captured at higher speeds afforded by those cameras. Consequently photography underpins the look of this collection.

We see black boarders as in a negative frame, we see high contrast in the black and white style of the subjects. There is colour bleed caused by accidents in developing and lens flare colour changes in seemingly random but abstracted ways.

The type writer fonts remind us that not everything was moving so fast and that various scandals were all and only to be found in the newspapers of the day. The capital letter fonts mimic those used in the headlines found luridly screaming from the news tabloids on newsstands.

The composition is meant to reflect the government’s attempts to retain a semblance of order in the face of upheaval and in the full view of the public witnessing an entertaining chaos.

The Darling Letter, sold

The Darling Letter, sold

60cm x 76cm, acrylic, ink & crayon on wood panel

Tea for Two, sold

Tea for Two, sold

61cm x 91cm, acrylic, ink & crayon on wood panel

Les Jolies Eaux, sold

Les Jolies Eaux, sold

50cm x 50cm, acrylic, ink & crayon on wood panel

Murray's Club 1963, sold

Murray's Club 1963, sold

61cm x 91cm, acrylic, ink & crayon on wood panel

Mr George Stanley, sold

Mr George Stanley, sold

50cm x 50cm, acrylic, ink & crayon on wood panel

1 Eaton Square, sold

1 Eaton Square, sold

50cm x 50cm, acrylic, ink & crayon on wood panel

Million Pound (Bruce Reynolds), sold

Million Pound (Bruce Reynolds), sold

16cm x 12cm, ink on cotton rag paper.

Cliveden (Ms Keeler), sold

Cliveden (Ms Keeler), sold

16cm x 12cm, ink on cotton rag paper.

Mug (Ronnie Biggs), sold

Mug (Ronnie Biggs), sold

16cm x 12 cm, ink on cotton rag paper.

Jones, sold

Jones, sold

16cm x 12cm, ink on cotton rag paper.

Retreat (Princess Margaret), sold

Retreat (Princess Margaret), sold

16cm x 12cm, ink on cotton rag paper.

Society, sold

Society, sold

16cm x 12cm, ink on cotton rag paper.

The Twins, sold

The Twins, sold

16cm x 12cm, ink on cotton rag paper.

Morals, sold

Morals, sold

16cm x 12cm, ink on cotton rag paper.

Affair (Mandy Rice), sold

Affair (Mandy Rice), sold

16cm x 12cm, ink on cotton rag paper.

Satisfaction, I Can't Get No (Princess Margaret), sold

Satisfaction, I Can't Get No (Princess Margaret), sold

16cm x 12cm, ink on cotton rag paper.

Mandy (Mandy Rice), sold

Mandy (Mandy Rice), sold

16cm x 12cm, ink on cotton rag paper.

View collections  →